Two thin cows scrounge
the rocks and weeds.
We three in the old orchard --
one to hold feet and boost,
one to steer the somnolent
beast, and I astride.
The boy who knows, goes behind
and cranks to make her start.
She sets off, a rough jog,
I bouncing, bone against bone,
for the closest apple tree
barren and old, to scrape me off.
Under its long, bony arms
I fall on the rockfilled slope.
The hands that squeeze the milk,
tired from working on the road,
will find it sour, tonight.
But we don't care.
three, four, five, even six feet
above the ground, running down
where boys in the summer
and winter must have had
peeing contests. Reminds me
of the ones I used to have
with myself or my brother off
the back step to see who could go
the farthest. When we were
a little older and discovered
morning stiffness, who could hang the
most weight on his hook--
underpants, shirt, towel,
how much before it all slid
plop to the floor, the
wooden peg perversely
reasserting its angle to
equal the rafters overhead--
we laughed, and thought
that was all there was
to know.
.
.
.
You enter through the slit gingerly,
assailed by the musty, minty smell
of damp earth, darkness, and old grease--
these ancient autos always smell like this.
You open the car door; it bends and shrieks;
moldy upholstery, old wood trim, rusty metal,
all smell together, sour and bitter like sounds of
LaSalle, Packard, Pierce Arrow, Terraplane--
dried ferns and stems in crystal, petals long-fallen.
Sit behind the wheel; you feel coil springs,
the crackling leather seat. Now try the switches,
wind the clock and set the hands,
shift the spark, throttle, push the clutch;
it crunches under foot; hit the brake.
Push, and the door gives grudgingly, groans,
a rusty runningboard may drop your weight to the ground.
Light glimmers through cracks and knot holes,
breaks in the roof, shingles gone;
swallows nest on the beams, with bats,
(one may chase you by day, the others by night).
Become accostomed to the smell of age,
of rust and grease and ancient horse-hair,
your eyes will read the faded label on the radiator,
see through the darkened glass a yellow disk,
on windows prints of hands, of noses, foreheads,
staring back where you reflect.
Slipping out again, into the brilliance,
is a kind of death.
.
the tides are extreme
today -- they pull the river
from its bed and me from ...
watching the gulls leaping
and falling, flopping and
splashing, the rise of
spring in the blood --
tides that ebb and flow.
River flows backward now --
tide pushes against the flow
gulls are floated off
a sandspit point of land
waiting lazily
under the haze
and cloudy gray
for the river to reverse again
flood out to sea
so they can walk the sand bar
pick among the black and silver mussel shells
food enough to feed them all
and no squalks or squabbles
none at all.
ii
as river fills
trees bend
dip leaves
taste
water like tea
fishes
leap
flash in the pan
shooting star
iii
Gulls suddenly gone
lifted while no one was looking
breeze has shifted
a cold damp south
wind and tide push
river
against the grain.
iv
rain
The smoothness at the bow
cutting, rolling aside a clean, blue furrow.
The turbulence astern
spinning water like a long
twisted rope --
unravelling the loose end as it goes
downstream, prop chewing down
muddy water, fast, leaving
rolling corduroy
in the wake.
And the wake, bouncing
ashore, returning midstream,
crisscross, crisscross, and subside,
subside.
Something green emanates from the twin
exhausts amidst the water and steam.
Thousand-dollar bills stream out
hot and limp, disolve in the water
become oil and rust. A fish leaps
a hand stretches out
clear as water,
more hands in the billowing wake --
the stately yacht glides on --
props churning bodies
thud against hull like logs, throwing
up chests, limbs, lips, ears, ropy intestines,
eyes
like bubbles in the wake,
while thousand-dollar bills dissolve
in their grasp.
A city's dark silhouette slips
by the sides riding high in turbid water,
silent voices, sirens, sing and sigh --
wharf and seawall lost in shadow
and reflected shadow; he steers the middle
channel, beyond the eddies, back-currents,
in the swift water.
Searchlight beam swinging, swinging,
sweeps across seeking the
bridge, the buoy, the lock.
Unseen mariner in the dark
pilot house glides into a
hall of mirrors. The beam sweeps, pauses
on skeletal steel, on bridge pilings,
the other shore.
Penelope is dead.
The arc light caresses the wrinkled water
like a familiar face
long accustomed to the light touch,
sweeps its beam deep in the perdurable gloom,
sweeps across, moves on.
Occasionally it will sigh a great crack
and the splitting boom will echo
like a crackling bone
across the cold, still air
as it struggles to breathe in
or out
and cannot.
sleeping in broad daylight,
propped up in the bus shack at Division and
Libery,
bags around her, under her head,
dark hair matted like a mattress,
so dense no brush could ever let it float
again,
bushed after nights of watching, keeping moving;
someone said she was fired from the bank --
too proud for welfare, or was it spite
she slept there mornings when the streets
began to flow.
Winter so hard the river froze too tight for
tide;
great white blocks bumping and nudging
an empty sack up against the bank.
"Reminds me of that doe froze upstream
when the dogs drove her in. Too young,"
he said, swinging the axe, chipping her free.
but down the street
in the courtyard
house-finches are singing
among the snowdrops.